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Enjoy, for those of you who don't yet have it.
Mikey, why don't you tell that nice girl you love her? "I love you with all-a my heart, if I don't see-a you again soon, I'm-a gonna die..."
In the Dictionary of Literary Biography, Marygail G. Parker notes “a peculiar splendor” in Ms. L’Engle’s oeuvre, and some of that splendor is owed to sheer literary range. Her works included poetry, plays, autobiography and books on prayer, and almost all were deeply, quixotically personal.
But it was in her vivid children’s characters that readers most clearly glimpsed her passionate search for answers to the questions that mattered most. She sometimes spoke of her writing as if she were taking dictation from her subconscious [source].
Why does the hallway smell like fake raspberries? Does "Emily" ever listen to anything besides the greatest hits of 10th grade on full blast? Who designs a kitchen with the 2 stoves right next to each other? Who designs a ladies restroom with no waste baskets in the stalls? Who stole the communal dish soap that smelled of lemons? (And damn their hide) Do you suppose the fire alarms in the room really work? The ones in the stairwell? WHO LEFT THE TWO DIFFERENT WADS OF GUM IN THE SHOWER?[Good lord. I just learned that naive ladies like me should not image google "dorm."]
All tracks are directly reproduced from the musical interludes in the film, and feature little alteration from the film score. Many songs on the album are slow-tempo and ballad-like, and the violin work of Warren Ellis becomes the central voice of the album for much of the time. Cave's unusual vocal performances on the "Rider" trilogy of songs brings a particularly haunting and uneasy tone to the album [x].Enjoy!
[F]or those who can stand the nonstop assault on their sensibilities, it's delightfully trashy, albeit irresponsible [x].The film gets increasingly ludicrous as it proceeds. This isn't unexpected: it's called Shoot 'Em Up. But when we get to the the most ridiculous part of the movie near the end, people were enjoying themselves so much there was nothing to do but laugh, sit back, and see what in the world could possibly happen next.
Even with all of these additions, the episode still ran short of time. This led to the creation of the rake sequence, which became a memorable moment for this episode.Originally, Sideshow Bob was only supposed to step on one rake after he stepped out from the underside of the Simpson family's car, but this was changed to nine rakes in a row.The idea was to make it funny, then unfunny and later funny again [wikipedia].There's a point where repeated actions/ideas go from x to un-x, and then back to x. Timing is key, and Shoot 'Em Up manages to skip over the "un" for the most part. An example is the carrots. The first use is silly. The second time is predictable. By the third, fourth, and fifth and sixth time, it's not about predictability anymore. It's like waiting for Fresh Prince's Hilary's next words. What's she gonna say next? Even if it's not that funny, it's still funny. It's established in a context of continuity and reference. The fact that it happens is pleasing and fun, without regard to the actual quality of the words or actions. A specific incident is the factory sign sequence. I don't want to give much away, but what first happens is a groaner, enjoyable though it is. When the joke is extended, it gets sillier and, happily, funnier.
Pretty boys & girls! All music is for sampling purposes only and should be deleted once a decision has been made. The amount of time this takes varies from person to person, but should not exceed 42 hours. After that, buy it! And support the artist- go to shows, buy direct from them, buy merch.