"The flawless lyricism of Ellis Larkins's piano provides an ideal frame for Ella Fitzgerald's maturing art on the two sessions that make up this CD. The first, from 1950, is an all-Gershwin program, while the second, from 1954, includes songs from other masters of the popular ballad, like Sammy Kahn, Cole Porter, and Hoagy Carmichael. Fitzgerald's voice was an ineffable combination of breadth of sound and lightness of delivery. Larkins's spare and sympathetic settings let her caress each song, and her subtle melodic variations and superb diction make each rendering a musical gem." X
Sunday, April 02, 2006
Pure Ella
"The flawless lyricism of Ellis Larkins's piano provides an ideal frame for Ella Fitzgerald's maturing art on the two sessions that make up this CD. The first, from 1950, is an all-Gershwin program, while the second, from 1954, includes songs from other masters of the popular ballad, like Sammy Kahn, Cole Porter, and Hoagy Carmichael. Fitzgerald's voice was an ineffable combination of breadth of sound and lightness of delivery. Larkins's spare and sympathetic settings let her caress each song, and her subtle melodic variations and superb diction make each rendering a musical gem." X
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