I always felt Earthquake Weather got unfairly shrifted at the time, because Joe hadn't been out too long from under the shadow of the Clash...and the mood seemed punitive towards him, for the way the group had broken up. . . I've always liked the more straightforward songs --"Gangsterville," "King Of The Bayou," and "Shouting Street." On the more obscure tracks (such as "Highway One Zero Street"), I think he felt like he was "giving the people what they want," so to speak. However, "Leopardskin Limousines" and "Sleepwalk". . . are two of Joe's finest ballads.
So today we have- Havana 3am, Paul Simonon's post-Clash project. Product description has the album as the "1991 debut for rootsy alternative rock act formed by ex-Clash bass player Paul Simonon, conjuring up a blend of Latino flavoring built on a solid base of rockabilly."
The self-titled effort by Paul Simonon's band is not much like the Clash, and also not nearly as memorable as the Clash. Actually, Simonon is just one of the team, the material written in collaboration with Gary Myrick and Nigel Dixon, with the lead vocals taken by Dixon. As the title might lead you to believe, they do integrate a good amount of Latin influences, though it's not dominant. The guitars often have a rockabilly twang, and the vocals have a muted sense of anthemic urgency. The Clash influence does become obvious when they get into their occasional, slightly reggae-ish beats. There's a lot going on here in terms of rockabilly, Latin, spaghetti Western, and straightforward new wave rock influences mingling (Unterberger allmusic).I think good listening will mean forgetting the Clash (you can get your fill of them with the 3 disc Clash on Broadway at tHe SkY iS sO bLuE) and enjoying the show. Though if you want to see criminally good looking Paul, you can find some live Havana 3am at Youtube :p Band info can be found here.
Havana 3am - Havana 3am