Here are a few links to the new Scissor Sisters album, it may be that not all of them will be working by the end of the day-
Rapidshare, Rar dead
Rapidshare, Zip
http://www.load.to/
Janie Jones Single to Raise Strummerville Funds
05/09/2006
Pete Doherty and Carl Barat are just a few of the artists currently working on a cover of the Clash's "Janie Jones" for release later this year. More details will be forthcoming about other artists who are also participating in this project which is intended to raise funds for our charity.
Other highlights include Mick's acoustic guitar work on "English Civil War" (which is pretty easy to pick out against Joe's choppy rhythmic style), and "Jail Guitar Doors," and "Koka Kola," among the tightest, tautest versions I've ever heard...while "Armagideon Time" is starting to take its own identity in the set (thanks to Mickey Gallagher's swirling organ rolls, and Topper's rhythmic flourishes: he understood dub like few other drummers did, before or since).
One other feature to bear in mind: of the 22 songs, six are from LONDON CALLING, an album that wouldn't appear for another three or four months (December '79/January '80, UK/US versions, respectively)...can you imagine a major band devoting nearly a third of its set to songs nobody had heard yet? Food for thought, but nobody had a problem hearing 'em on that night...because the Clash were moving forward, simple as that. 'Nuff said.

Spent all week trying to buy a mini fridge, my gosh. Finally got it and it had cat hair inside of it. But it works fine :p I'm a lazy lazy fuck and I haven't gotten my external HD plugged in, but when I do (I know, it takes all of two minutes) I'll put up some stuff from the La's.
As per usual, I can't find anyone to go to the Social D show with me (it really is an West Coast thing, I guess). Probably won't go this year, but I'm listening to Live at the Roxy now (moved in last Saturday and I just finished setting up my audio system) and it's making me want to go.
Anyway, grab some Morrissey from Ape Shall Never Kill Ape- he's got an EP from Japan up, as well as Viva Hate.
And- since I've been passing the link around to the Seu Jorge/David Bowie/Life Aquatic people I know, I had better post it here (and because I'm the unofficial PR person). Go grab The Life Aquatic Studio Sessions from Bring Me the Heads.
Check out Chairman Ralph's thoughts on LRW and live shows.
Thanks to all this talk of Disney (all three lines), I'm going to post the soundtrack to Sleeping Beauty, which is my favorite Disney princess movie. And it's got the best prince and villain. Ha ha.
It's a lush and gorgeous orchestration from George Bruns, who worked off of Tchaikovsky's ballet score. Mary Costa sings the parts of Aurora. It's classic Disney, really very lovely.
Two decades after releasing the world's first soundtrack recording with Snow White and the Seven Dwarfs, Disney achieved another milestone by releasing Sleeping Beauty, the world's first stereo soundtrack album. Nominated for an Oscar in 1959, George Bruns's lilting orchestral score was adapted from the Tchaikovsky ballet and recorded in Germany, where the most state-of-the-art recording equipment could be found. (Disney spared no expense on the tale of Aurora and Maleficent--it cost a then-unheard-of $6 million to make the film.) Featuring Mary Costa's ethereal vocals on "Once upon a Dream" and "I Wonder," Sleeping Beauty's combination of songs and score set a standard that soundtrack releases would follow for decades to come. --Bill FormanI'll be using Megaupload again because Rapidshare has been taking forever to upload. . .
The next couple of years saw a change in the band line up and two more singles were released as well as a live recorded LP "Only the end of the Beginning" (1980). According to the "Bops, Babes, Booze and Bovver" record folder, the line up had changed from Roger Towndrow to Gavin Dougles (guiter) and from Gerry Mcllduff to a guy named Grinny (drums). In addition to their live LP from 1980, they released yet another single, "Gabrielle" w/ B-side "Vengeance" on Chiswik Records. "Gabrielle" was sort of a poppier love ballad which wasn't all that bad but it didn't make it to the top of the charts like the band had hoped for. The B-side, "Vengeance" on the other hand was sort of a "You screwed my girlfriend, so I'm gonna break your head" type of song. Their last single "Happy Song" w/ B-side "Nobody" to Love" was released in 1981 on Test Pressing Records and was produced by the well known singer of the "Jam" Paul Weller (source).Gabrielle is a beautiful song, King of the Bop lotsa fun. It's a different Shane, if you will, but it's still Shane, and a great listen all around.
Once I'd got past asking him [Paul] the standard stuff ("When ya comin' to the States, Paul, 'cause we really need ya there?" "When we can afford it!"), I moved to bigger game (in the spirit of one bass player to another): "Paul, what are the chords to 'Red Angel Dragnet?'" Paul scratched his head, and laughed: "Oh, God, I dunno...I forgot." Pause. "If I sat down, I could probably work it out..."I hope I didn't give the impression that I don't like the album, though. I probably should have included a review that didn't depend on Clash comparisons. As Chairman Ralph points out--
Looking back now, it seems that some writers had trouble getting past what I call the "resume" aspect of the band (y'know, "ex-this, ex-that")...but I don't remember the audiences having a problem with it (which is what counts, when you're up there playing).Of course, now I'm incredibly envious of those who did get to see them. I'm afraid I came a little too late in the game, not to date myself or anything. . . :p Oh well. Off to see Talladega nights.
I always felt Earthquake Weather got unfairly shrifted at the time, because Joe hadn't been out too long from under the shadow of the Clash...and the mood seemed punitive towards him, for the way the group had broken up. . . I've always liked the more straightforward songs --"Gangsterville," "King Of The Bayou," and "Shouting Street." On the more obscure tracks (such as "Highway One Zero Street"), I think he felt like he was "giving the people what they want," so to speak. However, "Leopardskin Limousines" and "Sleepwalk". . . are two of Joe's finest ballads.
So today we have- Havana 3am, Paul Simonon's post-Clash project. Product description has the album as the "1991 debut for rootsy alternative rock act formed by ex-Clash bass player Paul Simonon, conjuring up a blend of Latino flavoring built on a solid base of rockabilly."
The self-titled effort by Paul Simonon's band is not much like the Clash, and also not nearly as memorable as the Clash. Actually, Simonon is just one of the team, the material written in collaboration with Gary Myrick and Nigel Dixon, with the lead vocals taken by Dixon. As the title might lead you to believe, they do integrate a good amount of Latin influences, though it's not dominant. The guitars often have a rockabilly twang, and the vocals have a muted sense of anthemic urgency. The Clash influence does become obvious when they get into their occasional, slightly reggae-ish beats. There's a lot going on here in terms of rockabilly, Latin, spaghetti Western, and straightforward new wave rock influences mingling (Unterberger allmusic).I think good listening will mean forgetting the Clash (you can get your fill of them with the 3 disc Clash on Broadway at tHe SkY iS sO bLuE) and enjoying the show. Though if you want to see criminally good looking Paul, you can find some live Havana 3am at Youtube :p Band info can be found here.
You can't see it but there is a huge, ridiculous smile on my face- after a long long time of my looking for this and staring in extreme confusion at that bittorent thingy- Earthquake Weather, courtesy of the endlessly amazing Jim over at Bring Me the Heads. And from my position as a Strummer-lover and as Bring Me the Heads' unofficial PR person, I say: get thee to Bring Me the Heads right now and grab it! ("Ha gitalong gitalong"- ha ha) And don't forget to let him know your appreciation.
***Link in comments.Listening to Sounding a Mosaic, however, it's clear that the album's heart lies not in rock 'n' roll, but in reggae. While a slew of other über-hip rock and pop acts dabble in reggae (mostly a bastardized version of ska, which has long since died in its Jamaican homeland), Bedouin Soundclash sounds more like a reggae act dabbling in rock. Not only do they maintain a traditional reggae "stylee" for about 10 of the 15 tracks here, but they also imbue their music with a genuine soulful edge that's lacking in many modern ska hipsters.
From the opening track, the band's vibrant sound reveals a deep appreciation for reggae's roots. "When the Night Feels My Song" is a rollicking good time with a joyous melody that evokes early Jimmy Cliff as performed by Paul Simon. You simply don't hear this type of music much anymore: a frisky, strumming ska anthem that's reason alone to celebrate this album. Not stopping there, though, Bedouin Soundclash manages to follow it up with another ska-rific tune, "Shelter", which melds the Jamaican flavor with a bold '70s funk/rock attitude.
The ease with which the band moves through these sounds is indicative not only of the members' varied upbringings, but also the production of Darryl Jenifer, who had years of experience melding reggae with rock as bassist for the groundbreaking Bad Brains (source).
Also- Pirates of the Caribbean. They made Keira Knightley's character much more likeable, made Orlando Bloom less likeable and a lot more boring, brought back my favorite-Norrington :)- and now have Hans Zimmer doing the music instead of poor Klaus so at least there's *almost* an excuse for the music sounding exactly like Gladiator. All thing considered, the movie was at least fun, if long. The two big things at the end (involving two captains- don't want to give anything away) are both predictable, one in that we know what's coming and two in that we already know they've filmed most of the third film so of course so-and-so is going to happen. But it's great fun and good summer watching. If you liked the first you're most likely going to at least enjoy this one.
Pretty boys & girls! All music is for sampling purposes only and should be deleted once a decision has been made. The amount of time this takes varies from person to person, but should not exceed 42 hours. After that, buy it! And support the artist- go to shows, buy direct from them, buy merch.